{"id":15281,"date":"2023-04-21T08:30:00","date_gmt":"2023-04-21T06:30:00","guid":{"rendered":"https:\/\/sebastianodessanay.com\/?page_id=15281"},"modified":"2023-04-26T21:19:33","modified_gmt":"2023-04-26T19:19:33","slug":"flight","status":"publish","type":"page","link":"https:\/\/sebastianodessanay.com\/it\/discografia\/flight\/","title":{"rendered":"Flight"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; specialty=&#8221;on&#8221; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;||30px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/sebastianodessanay.com\/wp-content\/uploads\/2023\/04\/PodcastTile.jpeg&#8221; alt=&#8221;Propellor-flight-podcast&#8221; title_text=&#8221;Propellor-flight-podcast&#8221; _builder_version=&#8221;4.20.4&#8243; box_shadow_style=&#8221;preset3&#8243; box_shadow_vertical=&#8221;7px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; specialty_columns=&#8221;2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_row_inner _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column_inner saved_specialty_column_type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.20.4&#8243; header_font=&#8221;|600|||||||&#8221; custom_margin=&#8221;||5px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Flight<\/h1>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.20.4&#8243; header_2_font_size=&#8221;20px&#8221; header_3_font_size=&#8221;16px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>PODCAST 2023<\/strong><\/h3>\n<h3>Propellor<\/h3>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][et_pb_row_inner _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;15px||15px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column_inner saved_specialty_column_type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.20.4&#8243; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><strong>Flight<\/strong> \u00e8 il secondo progetto originale dell&#8217;ensemble <a href=\"https:\/\/sebastianodessanay.com\/it\/progetti\/propellor\/\">Propellor<\/a>. Flight esplora il mondo interconnesso della musica, degli uccelli e dell&#8217;ecologia del paesaggio sonoro. Numerosi sono i contributi al progetto:<\/p>\n<p>Il turntablist e compositore anglo-iraniano <strong>Shiva Feshareki<\/strong> (BBC Proms) &#8211; discute della natura della creativit\u00e0 \/\/ <strong>David Hendy<\/strong> (autore di <em>Noise &#8211; a social history of sound<\/em>) colloca la nostra relazione con il nostro paesaggio sonoro in un contesto storico e culturale \/\/ <strong>La Paraorchestra dei musicisti ciechi<\/strong>, <strong>Takashi Kikuchi<\/strong> e <strong>Victoria Oruwari<\/strong> discutono di accesso, eco-localizzazione e colore del rumore \/\/ <strong>Mark Cocker<\/strong> (autore di <em>Birds Britannica<\/em>) svela i temi con una narrazione sulla migrazione e l&#8217;unit\u00e0 globale \/\/ L&#8217;artista anglo-finlandese <strong>Hanna Tuulikki<\/strong> (Biennale di Sydney) esplora idee di mimesi con il &#8220;mondo pi\u00f9 che umano&#8221; \/\/ <strong>Ruth Montgomery<\/strong> (direttore artistico di <em>Audiovisibility<\/em>) condivide idee sugli occhi come il suo equivalente dell&#8217;inquinamento acustico \/\/ L&#8217;ecologa del paesaggio sonoro <strong>Linda O Keeffe<\/strong> spiega gli elementi della scienza dell&#8217;ascolto, mentre esplora le connessioni tra le questioni sociali e il paesaggio sonoro \/\/ Il musicista <strong>Leafcutter John<\/strong> discute sul trattare una band come una registrazione sul campo e l&#8217;atto di creare nel momento.<\/p>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#f7f7f7&#8243; custom_padding=&#8221;0px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.20.4&#8243; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2>ASCOLTA<\/h2>\n<p>[\/et_pb_text][et_pb_code _builder_version=&#8221;4.20.4&#8243; global_colors_info=&#8221;{}&#8221;]<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/episode\/2eagxO5MI1zTsJADReazFg?utm_source=generator\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>[\/et_pb_code][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.20.4&#8243; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2>CREDITI<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.20.4&#8243; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"tralbumData tralbum-credits\">\n<p>Uscito il 21 aprile 2023<\/p>\n<p><strong>Jack McNeill<\/strong> clarinetti \/ <strong>David Le Page<\/strong> violino \/ <strong>Cath Leech<\/strong> violino \/ <strong>Kay Stephen<\/strong> viola \/ <strong>Louise McMonagle<\/strong> violoncello \/ <strong>Sebastiano Dessanay<\/strong> contrabbasso \/ basso elettrico \/ <strong>Charlie Wild<\/strong> violino \/ <strong>Aaron Diaz<\/strong> tromba \/ live electronics \/ <strong>Martyn Sanderson<\/strong> trombone \/ sackbut \/ <strong>Robin Beatty<\/strong> chitarre \/ <strong>Stuart Brown<\/strong> percussioni \/ live electronics \/ <strong>Delia Stevens<\/strong> percussioni \/ <strong>Joe Acheson<\/strong> live electronics \/ produzione \/ <strong>Leafcutter John<\/strong> electronics (ospite)<\/p>\n<p>tutta la musica \u00e8 scritta ed eseguita da Jack McNeill e Propellor MCPS\/PRS<\/p>\n<p><span class=\"cc-icons commercial\">\u00a9\u00a0<\/span>all rights reserved<\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FlightPODCAST 2023 PropellorFlight \u00e8 il secondo progetto originale dell&#8217;ensemble Propellor. Flight esplora il mondo interconnesso della musica, degli uccelli e dell&#8217;ecologia del paesaggio sonoro. Numerosi sono i contributi al progetto: Il turntablist e compositore anglo-iraniano Shiva Feshareki (BBC Proms) &#8211; discute della natura della creativit\u00e0 \/\/ David Hendy (autore di Noise &#8211; a social history [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":9485,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-15281","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sebastiano Dessanay Discography - Flight - PODCAST 2023<\/title>\n<meta name=\"description\" content=\"Flight \u00e8 il secondo progetto originale dei Propellor. 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